'I'd no excuse not to grok the fact, or traffic in illusions of not growing old. Or denial of encroaching senescence. Or flipping the bird at Mister Death. It would halt nothing of my body's fade, of our decay. I was, perhaps, whistling past my future graveyard.'
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'Don’t you, Nous Céleron,/wish to lay down your arms?/Enter the Ohio’s cool darkness,/or the Chinodahichetha!/Sounding out each syllable/as a Wyandotte/might utter them .../
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We must imagine/a better country, after/the orange man in/the white house. Tote/our losses & our/wounds. Revelations/about our neighbor’s/secret selves. The sign,/the flag, rippling in/the wind. That says—/'Off with your head’ ….
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It should be recalled/most of human history/has been lived in silence.
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So, my day, which when fortunate,/begins with coffee, cat, and dawn,/shifts at some point, to the deck, for some sitting beneath the same old sky,/only this time, eyes closed./Climbed up on the shore, out of thetumultuous stream of thought./I’ve yet to grasp the meaning/of your collaboration, Ms. Nature,/with your ally, Mr. Death.
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‘The clouds don’t care,’/ he said. Blowing a puff / of cigar smoke at me/ from across the porch. / I sent a pretty good / smoke ring back his way./ We were not / six feet apart, so could/ be killing each other, should / the virus hitch a ride upon our exhalations ...
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What do you get when you mix Donald Trump with a Limerick Master—and a little bit of animation?You get Molotov Limericks. Here are the latest 3 in an ongoing collaboration.
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I have decided I don’t need a shelf of poets in my life, right now. One, two or three—will do. But who? One’s for certain. I travel with him these days, tucked into a pocket of my rucksack.
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When all the things you read sound like noise, propaganda or sales pitch come-ons (sometimes, all three at once), then it's time turn to Other People's Poetry, for a break. In this first of a series, Auden's homage to fog.
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There's a wheelchair and a guy in it at the end of the sidewalk. It's an old chair, not those fancy Millenium Falcon chairs you see. An old guy, with skin weathered like an ancient saddle...
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In this 1995 profile, poet Lawrence Ferlinghetti forecasts "the revenge of the white man" taking place in contemporary politics in 2018 while reflecting on an epochal career as a poet, artist and essential figure in the rise and spread of the Beat movement.
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